SHATTERING is a participatory performance where individual destroy fragile items in a private space. It explores the fear of untapped anger and the freedom of release. This project highlights the beauty of being present and the euphoria of letting go. After the performance the shards are sorted, some discarded some used to create works. SHATTERING is a reflection on our broken governmental and social systems. It asks us as a society to take what functions to create something new and discard the useless.
Our Future Past is a performance centered around the divisiveness and destruction of our communities due to police violence. This project uses violence and destructive means to break down the barriers that divide the activists and community members from the police officers patrolling their neighborhoods. By revoking the purpose of a barricade this project considers a future where police barricades are rendered useless and are only relics of a violent past hanging in museums to educate our children.
Define Progress is an ongoing project highlighting issues around the gentrification, corporatization, and displacement of our communities. This custom barricade tape is used to call attention to recently closed small businesses, residential buildings that are being emptied to become luxury rentals, and community spaces being gobbled up by "progress".
After discovering an abandoned hotel riff with materials BAMN & I created installations to reflect upon the wastefulness of hyper capitalism and the evaporation of small businesses in the shadow of 3 major hotel chains.
#checkyourselfie was an online participatory performance in which I asked people to use the selfie to highlight issues instead of using it for vanity. With over 200 submissions issues ranged from human trafficking, environmental destruction, to self love. Each one of my works seen here discusses the self in relation to surroundings and our understanding of the importance of our environment and those within it.
Autoincarceration was a month long performance protest in 2014 to engage the public around the issues of mass incarceration. Through conversations, research, and experiences; markings, text, and drawings made their way onto one of 7 standard issue inmate jumpsuits that I wore continuously for 30 days.
Once confined ideas surrounded by mazes of infinite means of confusion have evolved into deconstructed, twisted, subtractive images.
A collection of my commissioned murals for the public
I can neither confirm nor deny I had a hand in any of this